Tech analyst and writer with over a decade of experience in digital transformation and emerging technologies.
Through a thoughtful conversation, Miranda Otto opens up on topics ranging from her latest role as a regal sea creature to the invaluable wisdom learned through onstage mishaps and fan interactions.
The most recent role is Queen of the Cuttlefish in The Pout-Pout Fish; supposing you had the opportunity to be a fish for a day, which one would it be and why?
Straight away, that particular fish found at Clovelly beach – since it is like an institution, and individuals visit to see it. It strikes me as remarkable that there’s a local fish that folks genuinely go and see and talk about – it’s a special fish.
What film do you always return to, and why?
Ernst Lubitsch's 1942 comedy To Be Or Not To Be. I adore this film. During my growing up, it would air on television occasionally, and one time I recorded it. I found it was so funny. It stars the legendary Carole Lombard and comedian Jack Benny. Not long ago they were playing it at the Ritz and I discovered that it was the preferred movie of a friend of mine, and so we attended and simply chuckled and laughed. It is a masterful work of comedy and all the actors in it are superb. Mel Brooks remade it in the 1980s – which was not successful. But the original film is an exceptional farce, worth viewing regularly.
What is the most valuable lesson you learned from someone a colleague?
Years ago I performed in A Doll’s House with Pete – now my spouse, but at the time we were not a couple. We portrayed characters opposite each other and on opening night I stumbled – I jumped ahead some dialogue in the script. I didn’t know of my error but I abruptly sensed things were off. I remember looking at him, and he completely saved me, and then our performance regained momentum and went really, really well. But I think what I learned in that moment was, first, consistently rely on the people you’re working with. When you lose where you are, by looking and toward the people you’re with, you can rediscover your correct position in some way. It’s such communal thing, performing live. And secondly, to maintain a lighthearted attitude regarding it. Sometimes when a mistake occurs, things can ignite in a really great direction provided you are fully engaged then. It can be a gift when things go completely the wrong way.
What’s been your most touching encounter with a fan?
It’s not just one specific meeting but when I meet fans of Lord of the Rings, especially female fans, I am told numerous stories about how that character meant to them when they were growing up … things that had happened in their lives and the extent to which Eowyn meant to them and was a form of support to them in those times.
What do you get asked most frequently by Lord of the Rings fans?
The most specific inquiry concerns always about the stew that Eowyn serves Aragorn. “Did that stew taste as terrible as it looked?” It’s become a running gag, the entire episode about the stew, and everyone wants to know the contents of the stew, and how was it made, and in your opinion her skills improved now, or do you believe she really is a bad cook? Fans seem, in my view, fascinated by the humour of that situation. And I go into great detail listing the ingredients that constituted the concoction – as I recall the efforts made; such as put bits of colored thread to simulate the appearance like blood vessels in the meat. The crew employed great detail to make it look as unappetizing as possible.
What’s been your most cringeworthy run-in with a famous person?
I was at a pilates class and another participant on a mat doing pilates, and the instructor said to me, “Oh, Miranda, this is Miranda.” And I made some joke about, “oh, are you a journalist?” Since Miranda is an uncommon moniker and often when someone’s a Miranda, they work in media. I wasn’t really identified her. And as she rose, it was Miranda Richardson. Then I didn’t know words. I was obliged to complete my class, and I felt so embarrassed. I wished to explain: “Oh my gosh, I do know who you are!” I think she’s so fabulous and I was just too starstruck to say anything.
Articles have repeatedly stated that you were named after Prospero’s daughter in Shakespeare’s The Tempest, and yet you've mentioned you saying otherwise – can you clarify this definitively?
Yes – I was named after a district in Sydney. My mother learned via broadcast that they were opening a shopping centre at that location, and the name seemed a pleasant choice.
What was the chaotic thing that’s ever happened on set?
When I was working in Brazil on Reaching for the Moon that was the most chaotic set I’ve ever worked on, and yet the film turned out incredibly well. But they just work in a distinct manner. The sense of time there is really different. In Australia, you normally have a call sheet and must arrive on set punctually. But this was sort of flexible – one would appear whenever you happen to be ready. It was a really different approach for me. The elements were all coming together at the final moment, and sometimes they wouldn’t know the next location or how we were going to do it. And then I would be in the middle of a scene and wondering, “What caused that sound that disturbed the scene? Ah, it was the producer opening a bottle on set, because he’s making a party.” It turned out excellent, but wow, it’s a really different approach to film-making.
Do you have a secretly good at?
I’ve always been an aptitude for numbers. I memorise numbers easier than I learn dialogue a lot of the time, I simply have that kind of a brain. So I believe if I hadn’t pursued acting, I likely might have worked in involving numbers, like mathematics or finance.
What is the greatest piece of advice you have ever received?
When I was in high school, a speaker addressed us as we were graduating and stated, “don’t be afraid to fail” … an idea I consider is supremely valuable counsel, since one gains far more from setbacks than you learn from triumph. Success, you never really understand exactly how it happened. With failure, you learn so much more.
Tech analyst and writer with over a decade of experience in digital transformation and emerging technologies.