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The legendary guitarist Steve Cropper, the renowned guitarist with the seminal soul group Booker T & the MGs, has died at the age of 84.
The guitar virtuoso, who played on and co-wrote the classic song Sittin' On the Dock of the Bay and Wilson Pickett's In the Midnight Hour, passed away recently in Nashville.
Widely regarded among the best supporting groups in soul music, the quartet Booker T. Jones and the MGs was the house band of the influential Memphis label Stax and is primarily known for their classic 1962 track Green Onions.
Cropper later became a member of the John Belushi-Dan Aykroyd act The Blues Brothers in the late '70s and performed on their hit cover of Soul Man.
"Steve was a deeply admired musician, songwriter, and producer whose profound talent inspired millions of lives around the world," his family stated in a release.
"While we grieve the loss of a family man and friend, we are consoled knowing that Steve will live forever through his music," they noted.
A reason for his passing was not released at this time.
A friend, Eddie Gore, stated he was with Cropper recently in Nashville, where the guitarist was developing fresh material.
"He's such a kind human," Gore commented. "We were lucky to have him, for sure."
Voted the second-best guitarist of all time by a music periodical in 1996, Cropper began working at Stax in 1961 at the age of 20.
A year later, the MGs were founded, consisting of organist Booker T Jones, drummer Al Jackson and bassist Lewie Steinberg - who was succeeded by Donald "Duck" Dunn in 1964.
The band was entered into the Rock and Roll Hall of Fame in 1992.
"I've always seen myself as a rhythm player," Cropper said in a past interview. "I get off on the fact that I can play something over and over, while other guitar players wouldn't consider it. They won't even play the same phrase twice."
Not only was he a guitarist, Cropper was a prolific songwriter, and besides Dock of the Bay and In the Midnight Hour, he collaborated on Eddie Floyd's hit Knock on Wood.
According to historical accounts, he was "a part of virtually every record released by Stax from the fall of 1961 through year end 1970".
"We would often spend marathon sessions in the studio," Cropper once recalled. "I think we had a roster of artists on the roster, so we had a pretty busy schedule."
Tech analyst and writer with over a decade of experience in digital transformation and emerging technologies.